Finally, he managed to land a leading role, and in the first couple of films, he is credited in his real name, Hamid Khan. He did not meet with much success, and on the advise of Nana Bhai Bhat, he took the name "Ajit" meaning "indomitable" as his screen-name, but his luck did not greatly improve. Although he did several films as a protagonist and became known to the public, and although his distinctive baritone voice and impressive personality brought him a fan following, his luck at the box office was not good at all. Film director K. Amarnath, who directed him in Beqasoor, suggested that the actor change his long name of Hamid Ali Khan to something shorter, and Hamid zeroed in on "Ajit". Beqasoor, in which he acted with Madhubala, was one of the biggest hits of 1950. Ajit's films as hero include Nastik (1953), Bada Bhai, Milan, Baradari and Dholak, and in all of them, he did credible work as actor. In Nastik (1953), the song "Dekh tere sansar ki haalat kya ho gayi Bhagwan" is picturised on him. He moved quite soon to second-lead roles, which he accepted because he had no other source of income. These movies include Naya Daur and Mughal-e-Azam.
Ajit almost always portrayed the sophisticated, educated, well groomed evil mastermind, albeit heartless villain. Ajit was presented in striking western attire, the "bold" checked suits, matching overcoats, white leather shoes, wide sunglasses, jewellery accessories etc. Given his stature as a senior artist, Ajit was usually the gang leader to second tier villains (such as Jeevan (actor), Prem Chopra, Ranjeet, Kader Khan and Sujit Kumar). He was rarely portrayed (in movie roles) doing any "dirty work" himself, rather relying on his army of henchmen for the task, with zero tolerance for any failures. He always had a savvy female accomplice, usually named "Mona." Acting in over 200 films, he specialized in playing suave villains with memorable catch-phrases delivered in now iconic Ajit-style nasal drawls such as "Mona, darling". Ajit also brought to fame the smuggler as the villain. In his movies, he is generally seen smuggling gold biscuits in or out of the country. It has also been noted that most of his gang members had Christian names like Robert, Michael and Peter. He pronounced "Robert" as "Rabbert." This also has been used for comic purposes in parodies. His favourite dialogue is- "Very smart"
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Here’s a Jamaican cut that drew from popular culture. The James Bond movies were a big hit all around the world, and there was one Jamaican artist named Desmond Decker, who was inspired by the Bond movies, and another movie he liked was called Ocean’s 11, which was remade recently with George Clooney, but of course he saw the earlier version, I think, with Frank Sinatra and the so-called Rat Pack. And he decided to cut a song that would narrate a story that was about James Bond and Ocean’s 11, somehow in the same universe, and he took ska and he started slowing down and stretching out that beat. Again, a very entrepreneurial and innovative activity. [“007 (Shanty Town)” by Desmond Decker]
But again, when we export songs, or musical forms, or artworks, it’s an artifact, it’s a thing. And the culture behind that artifact, blue jeans, record players, video cameras, all these things are things. What created them? What caused them to be created? And that’s what we can’t export. We can only export the things. The values we have to teach. And hopefully Dallas was popular abroad not because JR was a good guy, but because here you had people living in wealth that was natural. There was an Elia Kazan movie [“America, America” (1963)] in which there’s a young Greek boy at the dock, calling out to the American freighter, “America! America!” hoping that they would take him to America. This dream of a better life—without even knowing what it involved, he wanted to go. But he was looking for a value more than a thing—of what we export are things.
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